![]() If you mute stuff you’re not using instead of deleting it, and do a linked AAF, then you have everything. Then you’re working off the original audio files. The other option is, make the proxies from the mixer L/R track as reference, then load all the original sound files in (not that big) and use autosync to put things together in MC. By the time you make proxies with audio and edit of those rather than syncing audio in MC, you sign up for this type of workflow. But it still will only be the proxy audio, not the original files. linked matters more whether the audio has handles or not. Silverstack is designed very well in the sense that all the main controls are immediately within reach. ![]() The surviving metadata needs to link the tapename of the original video with the sound filename for all of this to work.Įmbedded vs. I wrote an article on that a few years ago, slightly different scenario, but same overall issue. forums to obtain critical product feedback, increase customer engagement. Question and answer discussion forum concerning user instructions and. Business Owner at Silver Stack Club IT Project Coordinator at Iron Logic Inc. But it relies on the metadata being intact so it can identify the matching files.Īll of this is a common scenario. Operating instructions and pdf manual for use - Pomfort Silverstack v4 (Download. ProTools has a ‘Field Recorder Workflow’ which is used to load audio originals that weren’t in the edit. (a AE told me this is how he does this usually and it takes him about a day for a 120min feature…) Or you have to go through the edit and just add back all the deleted sound tracks in your MC project. So it sounds like you either have to sync sound in avid from a polywav and then protools should be able to link against those files as they have the same name and TC as whats in MC? Linked AAF does not link against original polywav files in ProTools, is this supposed to work ? Is there supposed to be metadata from the source wav in the ALE for this?Įmbedded AAF throws away all unused audiotracks, i always assumed it would somehow keep the source track count and all but apparently it doesnt. Silverstack wrote proxy files for avid MC with audio, each audio track is its own file and a ALE with all the metadata.Įditor put clips on a timeline, did his thing, delete unused audio tracks from timeline, to keep the edit neat.Įditor exports AAF that links to the sound files for Protools or write a AAF with embedded audio. Sound sync on set was not done correctly, source is a poly wav.
0 Comments
Leave a Reply. |